STREET PLAY : MARTHA COOPER
MARTHA COOPER
n the late 70s New York City was in the throes of bankruptcy. The Lower Eastside was a wasteland of boarded up buildings and unfenced vacant lots. These were the days before kids became preoccupied with video games, cell phones and MP3 downloads. Needles contaminated with HIV had not yet appeared nor had a widespread fear of pedophiles. Kids roamed their neighborhoods unsupervised, giving their imaginations free rein.
Martha Coopers photos take us through the Alphabet City of the late 70s as the area was about to undergo extensive urban renewala process that is still continuing today. At the time, the neighborhood had more than its share of drug dealers and petty criminals, and the landscape seemed ugly and forbidding. But to the children who grew up there, the abandoned buildings and rubble-strewn lots made perfect playgrounds, providing raw materials and open space for unsupervised play. A crumbling tenement housed a secret clubhouse, rooftops became private aviaries, and a pile of trash might be a source for treasure.
With a poignant memoir from Carlos MARE 139 Rodriguez, a boy who remembers the excitement of growing up playing on the streets of New York City but who now wants something different for his son, Street Play shows the creative and indomitable spirit of city kids determined to make the best of their inhospitable environment. Today the neighborhood is transformed. Martha Coopers work attests to a transitional, post-tenement and pre-artist period on the Lower East Side when street culture held turf in Alphabet City.
