ITZIAR BARRIO DIEZ, LOS PELIGROS DE LA OBEDIENCIA
BARRIO DIEZ, ITZIAR
LOS PELIGROS DE LA OBEDIENCIA diziplina anitzeko sorkuntza-proiektua da, eta jite esperimental eta prozesual nabarmena dauka. Zinema-lengoaiaren eta eszena eta antzerkiko lengoaiaren arteko solasaldian oinarrituta, edozein kolektibo -eta beraz, inguratzen gaituen errealitateañ antolatzeko arauak sortzeko gizakiak duen beharrizana aztertzen du proiektuak.
(
) Barriori errealitateak eta mugapenak eta anbiguotasunak erakustea interesatzen zaio, egia diren heinean; eta horretarako adierazteko moduak aztertzen ditu. Horregatik, artea, zinema, telebista, arte eszenikoak eta Internet laneko tresna eta esperimentaziorako eta analisirako tresna gisa agertzen zaizkigu. Errealitateei eusten dien kontakizuna ez ezik, horren erreakzioak, eta haiek erakusteko edo fikzionatzeko teknikak ere interesatzen zaizkio.
María Mur Dean
[testuen hizkuntza: euskara/gaztelania/ingelesa]
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The perils of obedience is appropriated from the title of an article published in 1974 by psychologist Stanley Milgram, summarising and explaining a series of fascinating but appalling social psychology experiments carried out at the University of Yale. According to Milgram, in a country officially supposed to be a democracy, two thirds of the population are capable of executing any order proceeding from a higher authority. Barrio resignifies the title and assigns it to a non-existent outcome, in order to recreate the construction process of a scene in real time and live, for the audience attends some of the work sessions and everything is broadcast on line through streaming. There is no previous script, though one does emerge from the process. Nevertheless, there are questions that function as a conceptual thread that runs through the practice: the human need to create rules under which to organise the entire human collective and reality itself, the binomial of authority - obedience, the construction of collective conducts, the process of group creation and power dynamics. These problematics are conjugated within the different frames of reference of this evidently experimental project.
(
) Itziar Barrrio is interested in realities and in showing their limitations and ambiguities as truth, through analysis of their forms of representation. So, art, film, television, the performing arts and the Internet take the floor as work tools and objects for experimentation and analysis. Her interest not only lies in the story that upholds the realities but in its recreations, its techniques for showing them or fictionalising them.
María Mur Dean
[language of the texts: basque/spanish/english]
